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Showing posts with label fathers. Show all posts
Showing posts with label fathers. Show all posts

Monday, July 6, 2020

A Life in Five Buicks

by Linda Boroff

Roadmaster
Summertime, Hopkins, Minnesota: I toddle from the back door of the Elmo Park Apartments, skinny in suspendered blue corduroy pants. My dark, water-slicked hair is caught just above the right ear by a bobbypin.
          Suddenly, I stop short. Looming before me in the driveway is my father’s new, two-tone Buick Roadmaster, massively at rest on its tumescent whitewalls. The car, jade and loden green, fills my vision like a whale; as if its mighty grille of chrome baleen could suck up the road. Four incredible tunnels in its side, leading to God-knows-where, attest to its pedigree.
          The neighbors have flooded out to gawk, as amazed as if dad had taxied up in the B-24 Liberator he had flown in the South Pacific. The women, pregnant in cotton housedresses with bright scarves wound around their pincurls, stroke the monster’s bulging flanks. The men, beer bottles in hand, wear pleated pants into which white undershirts are tucked. They stride up and spank the Buick commandingly, nod at the engine statistics, call it “she.” 
          At my appearance, all turn with tolerant amusement to savor my response. I am gaping at the giant intruder, eyes smoky with suspicion. Attempts to pull me near for an introduction fail. To everyone’s delight, my confusion soon resolves itself into a drawn-out wail.
          .
          Now it is evening, the air fragrant with the warm raspberries that grow wild behind the project where we live, and also with the faint, fetid odor of the swamp beyond, which will not to be drained until a toddler drowns in it later this summer.
          I stand outside the back door, gazing into the kitchen, where my father sits at a gray Formica dinette with an old Army Air Corps buddy. They are holding beer bottles and laughing as they celebrate new cars, peace, youth.
          The screen before me sags in its frame; insects aggregate on it, awaiting a chance to invade. Their brethren have struck up a summertime concert out beyond the Buick, poised on its concrete slab like some brooding god of highway thunder.
         
Riviera 
It reigns from the driveway of our new ranch-style home: a Buick Riviera, its blue as rich and deep as the stained glass of Chartres. Ensconced in its pale plush upholstery, I feel like Cinderella in her pumpkin chariot. Shiny windows reflect my outsize new teeth grinning from the passenger side. 
          My father’s remodeling business is booming, and he often invites me to “tag along” as he pitches attics and basements door-to-door. The housewives usually ask us in when they spot me on my hobbyhorse, Pal, a high-spirited thoroughbred of rich brown leatherette, with flaring crimson nostrils and a lush mane of white yarn. “Hi there, cowgirl, that’s a mighty fine horse you got there, you betcha.” And before they know it, they are talking knotty pine and dormers and linoleum.
          He is tall and handsome, my dad, with curly brown hair and a wicked sense of humor. I spend hours trying to emulate his jaunty pilot’s swagger. He has built us a beautiful corner house in a tony neighborhood near Lake Calhoun and given my mother a generous allowance to decorate: blond oak, raw silk, rose brocade, and a thick, cocoa brown carpet to roll around on. The house sits on three lots with one of them dedicated to a sandbox, a swing set, and a huge bountiful garden. People slow their cars to appreciate the landscaping.
          C’mon,” my father says mischievously one afternoon. “Let’s go blow out the carbon.” I know that under the hood of the Riviera chugs a magical nest of dark coils and shiny pans. Superheated and unimaginably powerful, they create and tame the explosions that propel us. 
          I imagine the car’s chrome innards clogged with soot, which we must now expel at ninety miles per hour in a tamponade of black smoke and red flames bursting from the tailpipe. The highway uncoils before us like a whip; farms are a green blur. I watch the speedometer quiver at ninety and then inch toward 100 as the Buick enters the realm of pure motion.
          Just outside Red Wing, he guides us back down to fifty, which will forever after feel like a standstill. Then, as if anything were needed to make the afternoon more perfect, he buys my eternal discretion with a salted nut roll on our way home. 
         
Roadmaster Again
It isn’t much of a recession, but, as Mercutio declares of his fatal wound, “marry, ‘tis enough.” My father’s business has dried up into a pile of debts; our brief, feverish glow of prosperity only a memory; our future dreams a mocking, retreating mirage that we will never reach.
          The bill collectors call around dinnertime, and my mother rises to answer, swallowing her food quickly: He just stepped out. A payment is on the way. Fights over money have become the white noise of my childhood. 
          My father’s latest Roadmaster is greeted by my mother not with delight, but with fury. Burnished bronze, this unwelcome intruder sits alone in falling snow, like a grounded eagle.
          “We can’t afford this. What’s the matter with you?” My father tries to look wise, as if he knows something she doesn’t, but her disillusionment is impenetrable, and she glares back coldly. Her eyes have narrowed, and a crease divides them now, even when she isn’t angry, which is seldom. How can she blame him for his business failure, I wonder, when it is the customers’ fault that they are now remodeling their own attics. “Do It Yourself” is the chant that accompanies our march to poverty. 
          Our home goes on the market just after my 12th birthday, bringing long, melancholy weekends filled with officious realtors and skeptical strangers who poke around in our kitchen and assay the carpeting, eyes narrow with arithmetic. Their children stare wordlessly at me and my younger sister. Nobody wants our house, and there is a lot more eking and borrowing before the foreclosure finally arrives, almost a relief.
          Homeless now, we drift to Los Angeles, where my father has family. Relatives grudgingly pony up small sums after collect calls from a phone booth. We rent a motel room with kitchenette in East Hollywood, the walls green and weary, veterans of a thousand familial disintegrations.  
          Daily, my parents look for work; by night, fights erupt, roaring and gusting like wildfires. We are warned by the motel management about the noise. Sometimes we go for swims in the stagnant pool. A thick orange moon hangs above us. We float like corpses in the tepid water.
          My mother finally finds work in a nearby children’s store, sweltering in outdated designer suits. My sister and I start school. My father lies on a black Naugahyde sofa all day, reading the want ads, sipping gin and devising dubious schemes to recoup his finances. Deals “fall through” he says—evoking for me an image of something hurtling earthward through a dense forest, hitting branches, landing broken and dying. His creditors soon find him again where he huddles; first one—and then many in a rush, persistent and abusive.

          One night, his suitcase clatters suddenly into the living room, and my mother stands above it, eyes dark with fury. He had borrowed five hundred dollars from a loan shark.
          “When I got off work, some little man threatened me,” she shouts. “I gave him my paycheck. How will we live? She grabs my sister and sinks her nails into the squirming girl’s shoulder. “What in the hell did you do with five hundred dollars while we were starving?”
          My father follows the suitcase, arms dripping with neckties. “I didn’t know he’d come to you.” He shakes his fist and the ties sway. “For eighteen years I worked for you. I broke my heart.”
          “He threatened me!”
          “I’ve got to get out of here. I’m dying.” My sister and I begin to cry, although we have been expecting this for a long time. 
          “Let him go,” screams my mother. “Him and his goddamn pills and his goddamn booze. There’s always money for that, isn’t there?”
          Outside, my father sits, jowly and misunderstood at the wheel of a rented Ford, curtained with suits and shirts. The car hums to life, coughs loose its emergency brake, and backs hesitantly out of the driveway. A quick shift and it is away. The night rings with sudden silence.

Camaro
The mighty arches of the San Francisco Bay Bridge pass over my head like the ribs of a dinosaur. I think about those people unable to cross the bridge without counting them.
          “Tell me about your father,” says Cliff.
          “All I know is he called this afternoon wanting to get together. Apparently he traveled out here with some woman, and things fell apart and she took off in his car.”
          “When did you last see him?”
          “I have not seen my father,” I reply, “in eight years. I don’t know what he’ll be like.”
          “Well, you met my father,” Cliff says. His parents had visited from Bakersfield two weeks earlier, and his father had, as promised, displayed the physique and mentality of an Alabama State Trooper guarding a speed trap circa 1954. Packed tightly into a booth at the pancake house, he had polished off a platter of pork chops, cornbread and easyover eggs while declaiming loudly on hippie treason. Cliff’s mother, smelling strongly of mint, sat wordless, eating nothing, observing her husband with reddened blue eyes of pure Southron hatred. Cliff told me later that she had found and drunk about half a bottle of tequila while he and his father were out buying a lug wrench.
          Cliff’s blue eyes are flecked with amber; his thick brown hair brushes his collar. At twenty-one he is already a master of the amused deadpan, and he is a good bet to hurt me deeply one of these days. His parents have gifted him a new Camaro for graduation, and riding beside him makes me feel shiny, new, and well-maintained too.
          My father is staying in one of those hotels that appear at first hopeful glance to be only a little seedy, but is really extremely seedy. I spot him at once in the lobby, swaying slightly beneath the fluorescent lighting, arms stretched toward me. He is pudgier than I remember, his skin grayish and loose around the mouth. He shakes hands solemnly with Cliff, and shoots me a wondering glance.
          We have dinner and embark on a spree through San Francisco. At one bar, a drunk sits alone looking morose, and we invent a history for him, a reason he drinks. 
          “He tried hard all his life,” says my father about the drunk. “The bastards just wouldn’t let him live.”
          “He can’t do anything right,” comments Cliff. “He found himself alone....”     
          “He done her wrong,” I say.
          The pavement in front of my father’s hotel is slick now from the foggy drizzle that had begun around midnight. He climbs stiffly from the car.  
          “I’ll walk him in,” I tell Cliff. The lobby is not as deserted as it should be at 3 a.m. People are wandering about sleepless, smoking, unwilling to be alone in their rooms.
          “Goodbye Linny,” says my father.  
          I hug him and say “Goodnight, Daddy.” As I return to the car, I realize that Cliff and I have grown so close tonight that we will probably get married. He looks at me pensively, having figured that out himself. When I turn back, my father is still gazing after me from the lobby, hands hanging limp at his sides, head slightly cocked.

Century 
I am an advertising copywriter working in Palo Alto, divorced, with a nine-year-old daughter who looks like Cliff. I drive a 1986 Buick Century Custom, an impulsive purchase after my father died years before of a heart attack. Somehow, driving a Buick keeps him a little closer in spirit. 
          So I leave my office on a warm, sunny October afternoon for the commute south to Santa Cruz over Highway 17, a sinuous black python notorious for head-ons. I grip the steering wheel of my Buick, intent on survival, eyes darting about with primal alertness evolved over millions of years, called on now to dodge not leopard or lion, but Audi; not charging aurochs but careening Range Rover. 
          When the traffic stalls—as it often does—I look beyond the asphalt to the young redwoods, fernlike and primeval, and to the yellow poppies and blue lupine bobbing gamely in the hydrocarbon exhaust. Sometimes I murmur little prayers for the road kills, tarry, feathered clumps and featureless gray fur patties scattered on the shoulder.  
          As I approach the summit, hemmed in by other commuters, the Buick begins to jerk and shudder. Dammit a flat drifts into my mind seconds before the asphalt ahead rears up and rips asunder like a bar of licorice. I slam on my brakes at the lip of a widening gash as the side of the mountain to my right trembles like Jell-O and falls away with a roar, sliding and tumbling onto my car. Trees, their moorings scaled away, drop, still upright, straight down the mountain.
          The air turns white with dust, and the car shudders at the boulder that finally breaches its back door. Dirt pours in across the seat. I glimpse myself in the rearview mirror, perhaps for the last time, looking rather puzzled and nondescript.
          Then, as abruptly as it had started, the earth quiets and settles, though something keeps cracking like pistol shots. The dust clears, and I see to my left, the very top of the concrete center divider barely visible above the dirt. Covering the road now is everything that, seconds ago, had been a hundred feet above us.  
          It is October 17, 1989, 5:17 p.m. They call it the Loma Prieta Earthquake, and I have nearly been buried alive. My only thought now is to get to Santa Cruz, but the road ahead has ceased to exist. Boulders are still bouncing down the mountainside like ping pong balls.
          A couple of truckers make their way through the trembling debris to my driver’s side window: “You alive?” They wrench open my door and I clamber out with no dignity, my pencil-skirted business suit caked with dust. “Whole mountain’s gonna go inna minute,” one of them says, and I say, “Didn’t it go already?” But no, there is still plenty of geologic time poised above us. I consider running, but to where?
          “See if she’ll start.” A trucker climbs into the driver’s seat and turns the key, eliciting only a feeble cough. He tries again, and suddenly the Buick rises from the dead with the sound of a hundred lions competing for mating rights.
          Six men rock it loose from its crumbled matrix, which opens a car-sized hole in the debris. I get in, push on the gas with a shaking foot, and the Buick miraculously begins to limp forward, yawing like a drunk on its broken suspension. One by one, we creep down the mountainside, over the buckled, rock-strewn pavement. The roots of upended trees oddly resemble the configuration of a lightning flash, I note, and also the heart’s circulatory system illuminated by echocardiogram: fractals? I keep my foot on the accelerator, and the car keeps rolling, around the tree trunks, through the sand and the dirt. Somehow, it finds a way.
          Nearing Scotts Valley, we come down off the hill at last, and the highway re-emerges. I nurse the Buick past people who stop their stunned wandering to point at me and shake their heads. There must be sirens, but I am in a state of deaf, numb panic that recedes only when my daughter dashes toward me from the yard of her now lopsided school.
          Days later, an insurance adjuster lifts the Buick’s hood and gasps. The engine is buried under rocks and dirt. “I can’t believe this thing actually ran, he says, shaking his head.  
          “Ran pretty well,” I say, channeling my father. I open the trunk and get out the jumper cables and a notebook of ideas for a novel that I have been carrying around for several years. I take them to where my friend is waiting.

Century Again
There are as many roads to penury as there are paupers to follow them. Today, I’m on my way to sign over the pink slip on “Moby Dick,” my white 2000 Buick Century, as security on a loan, so that I can pay my rent, three weeks late and counting in the wake of a layoff. My destination is a storefront in a bleak San Jose strip mall between a liquor mart and a shoe repair shop. A fuchsia neon sign beckons: “Fast Cash! Paycheck Advance! Auto Title Loans!” There, my signed pink slip will net me $1900, which I pledge to repay at an interest rate of about ninety-six percent. 
          I back out of my carport, find a jazz station playing rueful sax, and hit the road. The rain that threatened all morning arrives now in earnest, and the mist on my windshield quickly turns to tears, as if to make up for the ones I’m holding back. Somehow, my whole life seems prologue to this ordeal. It could be worse, I console myself, which only reminds me that it may indeed grow worse. The wipers begin beating time to the scold in my head: why didn’t you, why did you, why didn’t you, why did you?
          “It’ll be okay, mom,” says my daughter, guessing the reason for my silence. She sits beside me now, as she always has, and in a way nothing has changed—although her once downy head has grown into an avalanche of blonde-streaked waves, and the rattles and sippy cups have given way to a plastic box of eye shadow that she dabs on in the passenger mirror. I understand, without taking it personally, that to not follow in my footsteps is for her almost a career goal in itself. Financial turmoil has shaped her life since her father left us when she was three years old.
          I merge onto Highway 280 south; the road nearly empty on this Saturday morning. As the miles unreel, I cannot resist backtracking mentally over my own highway of choices that delivered me to this pass. How many wrong turns? How many dead ends, detours, directions unheeded? Or is the problem deeper still? The map is wrong. The destination does not exist. 
          Perhaps, as my father’s daughter, I am just genetically wired to be broke. My inborn character quirks always seemed to have veto power over good intentions and resolutions. By age seven, I was already displaying the traits that have cleft my life like a fault line: impatience with saving, impulsive overgenerosity, dislike of routine. Reading Aesop’s fable of the grasshopper and the ants, I quickly identified with my gangly orthopteral soul mate, shivering out in the cold with his inedible fiddle.
          South we hurtle from Palo Alto, where I had presumed to live so that my daughter could attend its top-ranked high school. And was that another wrong turn, I wonder, hearing her reel off anecdotes of snobbery, anorexia, and grade grubbing?
          After years of battling a commute so brutal it inspired articles in foreign magazines and enduring a manager who gnawed at me like a polar bear at a whale carcass, I have decided to work freelance.
          Fiction was calling me: story plots scratched on the message pad on my bedstand or scribbled on the back of parking stubs or the flap of an envelope as I drove. These potential novels existed now only as wads of lint at the bottom of my purse.  
          And what makes you so special, my roadside Greek chorus now chants. Do you think yours is the only quiet desperation, the only stifled ambition? You are a bundle of plastic twine floating on your daughter’s ocean, lying in wait as years pass to wrap yourself around her wings with your poverty, neediness, and irrational ambition. You… writer! 
          Last week, I had dusted off my interview suit and explained to a succession of loan officers that I was a “freelance technology writer” and needed only a little “bridge loan” to see me through to the next big project.
          What else could I have said? That I’m a perennially aspiring novelist whose short stories are probably read solely by other hopefuls? That I have spent the last eight years trying to shoehorn myself into Hollywood’s clenched consideration, resulting in one low-budget feature and four options simmering in a perpetual broth of revision? As a borrower, I am about as appealing as a glass of silicon wastewater.
          I walked out of the last bank and stand in the parking lot feeling sorry for myself. Then I looked at my Buick as if seeing it for the first time. Finally paid off after eight years, it has been through a lot. In 2005, it was repossessed in the rain at 3 a.m. by a couple of husky young men, who had it up on the tow truck by the time I emerged in a ratty bathrobe, holding my Lhasa Apso. “Put some shoes on,” one of them said.
          The Buick looked forlorn and reproachful and a little silly, its capacious rump elevated by a chain, its grille tipped into a puddle. When a copywriting windfall enabled me to redeem it a few days later from a dusty San Jose repo-yard, a friend said admiringly, “You always land on your feet.” But her metaphor was wrong. I had not yet landed. Today looks and feels more like a landing. And not on my feet.
          It takes two or three passes around the block in what is now a freezing deluge to find the auto loan storefront. We park, and my daughter, impatient with my umbrella, leaps out and makes a dash for the door which looks close, but is actually far enough away for her to get thoroughly soaked. I come up behind her, and she grins sheepishly, the rain bedewing her face and lashes, the damp tendrils of hair pasted to her fresh, unconquered skin. “Young Girl Caught in a Downpour,” I mentally title the artwork. We wrestle open the door, and a line of people turns at the cold, wet draft, one or two actually smiling in commiseration. They are mostly poor and minorities: young mothers with children hanging from every limb; gray-headed veterans in bill hats with numbers on the front. 
          The young woman at the window smiles too, although the line is long, the paperwork complex, and her computer capricious. She hands us a battered camera to photograph the Buick’s VIN number and its odometer. My daughter waves me to a chair and ducks outside—again without the umbrella—although the rain is now coming down in sheets from a truly biblical sky, occasionally riven by trees of lightning so close you could almost grab their molten trunks. Seconds later, massive thunderclaps trigger little screams from the women. The veterans flinch, their jaw muscles working. 
          When my daughter re-enters, I pull off her soaked outer sweater as though she is a kindergartner and help her on with my own.  
          “Thanks, Mom.” The people in line titter. I catch the eye of an elderly lady, and she beams at me, a universal smile of motherhood. And all at once, everything is all right. It’s more than all right. Why, the Buick is merely fulfilling another of the roles it was intended for. Like reindeer to the Inuit, it is both transportation and sustenance.  
          So we all watch the rain subside and a cold blue sky emerge amid turbulent clouds, a fresh wind whipping the treetops. The line slowly shortens, and at last, I am presented with a bale of papers on which I provide my signature in about forty places. The clerk counts out my money in small, used bills, and feeling far from dissatisfied—even a little rich—we get back into the Buick.

Linda Boroff graduated from UC Berkeley with a degree in English and currently lives and works in Silicon Valley. Her suspense novel The Remnant has recently been accepted for publication. Her fiction and nonfiction appear in McSweeney’s, The Write Launch, All the Sins, Epoch, Cimarron Review, Parhelion, Crack the Spine, Writing Disorder, The Piltdown Review, Eclectica, 5:21 Magazine, Thoughtful Dog, The Satirist, and other publications.

Friday, June 22, 2018

You Are Here


by Kelly Garriott Waite

The picture, taken before color photography was ubiquitous, is gradations of light and dark, bright and shadow. In it, my father straddles a three-foot log, a jagged vertical crack down its center like a lightning strike. The bark is rough and covered in places with moss. The grass surrounding it is mostly short and neat, as if the log had been dragged to this space specifically to make a seat for my father. But it can't be comfortable: Dad's right leg bends back, the toe of his shoe dug into the ground as if for purchase. His left leg is forward, his heel pressed into the grass. His pants—the seventies equivalent of Dockers–are sharply creased down the center. He wears a button-up shirt, untucked, and Converse tennis shoes, their dark laces loosely tied. Dad holds a five-string resonator banjo, its round drum resting on one leg. His smiling face is in profile, that characteristic dimple in his cheek as he looks at the middle finger of his left hand, pressed behind the D string's third fret.

* * *
Fret:
1. To worry excessively and without cease.
2. Music: One of several thin silver strips separating the fingerboard of various stringed instruments into sections. Pressing just behind a fret will divide a string in two, causing its lower half to vibrate faster, thus producing a higher-pitched note. Each fret will raise a string's tone a half-step or 1/12 of an octave.

* * *

Between certain frets, the fingerboard of Dad's banjo was inlaid with mother-of-pearl, the smooth white inside of the shell of certain mollusks: oysters, mussels, and abalones. I remember swaying from side to side, studying the shimmer of the inlay, watching the colors change from violet and pink to gold and green. Looking at the photograph, I am reminded of the abalone shell that belonged to Dad's mother, a woman who fretted so often that my grandfather sometimes snapped at her, stop buying trouble, as she peered through the dashboard of the passenger seat, giving voice to her worries about weather or traffic.

Why steal the mollusk's rainbow to settle it upon the neck of the banjo? More than mere adornment, it served as position markers, grounding my father to keep him from getting lost inside the music. This is where you are, the inlay murmured to Dad. Remember, you are here.

* * *

Octave:
Used in Western music, an octave is composed of eight notes and their four half steps. The beginning and ending notes of an octave match in pitch but differ in frequency.

* * *

A mere handful of notes, a single octave is insufficient to express musically the range of human emotion. And so, using the fret-string combination, the octave is repeated three times on Dad's banjo.

* * *

A can of Budweiser rests before Dad, its label gazing off camera. A music book is open, its soft cover folded back. I hold my magnifying glass over the book and try to discern the title of the song. But all I can make out is a smattering of notes, fat circles with wings, except for the whole note, which is entirely too heavy to fly and thus has no need of wings.
* * *

Note value:
Used in music to show how long to play (or hold) each note. Commonly, a whole note is held for four beats, a half note for two. On it goes, with each previous note value halving itself all the way down to the smallest, rarest note, the 256th, a note with six fast fluttering wings, a note so light it barely makes a sound as it briefly alights before flitting away. 

* * *

Dad often played "Cripple Creek" and "Dueling Banjos" from the movie Deliverance. Sometimes he played "Will the Circle Be Unbroken," a song featured on an album of the same name by the Nitty Gritty Dirt Band. Dad bought this album and stored it beside the seventeen-volume collection of Beethoven's works, eighty-five records in all, which he largely ignored, but which my sister played loudly when she cleaned the bedroom we shared: sonatas, symphonies, and string quartets. I remember the scratch of the needle upon a record. The momentary silence before the room was flooded with sound. I remember, after the room was clean, my sister returning the records haphazardly to the shelves until the cabinet was so messy, Dad could no longer stand it and made us sort out the records and put them into their correct volume. Dad's life was a series of attempts to impose order on a disordered brain.

* * *

When he wasn't playing, the banjo hung on the wall next to Dad's recliner. Beside it was the four-string he'd also acquired. When he got the notion to play one or the other, Dad sat up in one swift motion, his back lifting and his legs folding down simultaneously while he reached toward the wall.

* * * 
Ängstlich:
1. German: anxious.
2. Music: anxiously.

* * *

Here's what Dad never told us: He took a prescription medication to alleviate the symptoms of Obsessive/Compulsive Disorder (OCD), a disease rooted in anxiety.

Here's what took me years to tell my children: I also suffer from OCD.

Here's what I hope my children tell my grandchildren: They have anxiety. They have learned how to manage it. There is no shame in mental illness.

* * *

Leitmotif:
A phrase or theme that recurs throughout a musical or literary piece.

* * *

I believe that the leitmotif of Dad's life was anxiety and finding a way to alleviate it. He never spoke of anxiety, perhaps because he didn't want to buy trouble. Instead, I believe he sought relief through his hobbies: photography or sailing or playing the banjo, dropping one project and taking up another, sometimes circling back to an earlier one, repeating the pattern throughout his life.

* * *

As expected, Dad gave up playing the banjo. The instruments remained on the wall for longer and longer stretches of time until they became more decoration than entertainment. With every hobby, Dad discarded its accouterments, in this case, the music books, the silver picks, the pitch pipe. Eventually even the banjos disappeared.

But I don't think Dad was a quitter. Rather, I believe that when a hobby had lost the power to distract his mind–-when, for instance, he could play a song without having to concentrate–-he dropped it for something new upon which to focus. Every new project had the potential to quiet his mind. Something to tell him: You are not lost. Remember you are here.

* * *

My younger daughter, like her grandfather, flits from thing to thing, as if searching for something to quiet her brain, something to ground her, too. She tells me she doesn't want to have children: she's afraid they'll inherit the anxiety.

Can I guarantee her this circle of anxiety will eventually be broken? No. But I try to explain the positives that accompany it: the compassion for others, the creativity, the way of finding beauty in the world where others might not. I'm not sure she believes me. I'm not sure she believes it's worth it.

But perhaps mental illness isn't so much illness than the normal about which we do not speak. Perhaps each of our brains are gradations of lightness and darkness, brightness and shadow. Perhaps if we spoke our truths rather than hiding them, we would feel less alone, braver, not as strange as we perceive ourselves to be. Perhaps the heaviness of our hearts and our minds would evaporate. Perhaps if we said, this is where I am, someone might reply, me, too. I am here, too.

Kelly Garriott Waite writes from Ohio. Her work has appeared in the Hopper, Allegro Poetry, and the Fourth River: Tributaries.

Friday, June 1, 2018

My Mathematical Father: A Life in Numbers


by Karen Galatz

My father was a mathematical genius. He could calculate long columns of numbers in his head in a flash, count cards at a Las Vegas blackjack table, and estimate the number of pennies in a jar within, well, a few pennies.

I, on the other hand, can barely operate a calculator and cannot convert kilometers into miles. Yet when I think of my father's life, it is through numbers that I can best recount his story.

7 4 31
July 4, 1931: My parents meet at Coney Island. There for a blind date with my mother's best friend, my father said he took one look at my mother and "That was it." He wooed her with hot dogs, salt water taffy, and cotton candy, took her for a ride on the Whip, and then held her hair back as she threw up all that food. There were fireworks then and there were fireworks throughout the five decades they were married.

8
Shortly after meeting my mother, Dad took off "hoboing" around the country. Not for long. He sent a telegraph to his brother asking for money to get home so he could court my mother. On his return to New York, he went straight to my mother's home. Eight months later they married.

Some fifty-four years later, as we gathered around the kitchen table telling stories after my father's funeral, my Grandma recalled meeting her future—and favorite—son-in-law. Standing at the front door for the first time, he asked Grandma to please get her "sister." After so many years, she was still charmed by that first encounter.

14 ½
That's how old Mom was when she married my father. Already a senior in high school, she told my father she was sixteen. Right before they eloped, she doctored her birth certificate to support that lie. My grandmother accompanied my parents to the rabbi, but waited outside so she, in turn, could tell her own lie: "I didn't see anything."

105
That's how many days passed before my grandfather found out that his beloved Dottie was married and would not go to college as he had hoped.

They had planned to tell Grandpa of the wedding after Mom graduated from high school. In the meantime, Dad would spend the night at the house, ostensibly in my uncle's room. But one night, Grandpa, who wasn't feeling well, looked in on all the children. Just as he put his hand on the door to my mother's room, Grandma saw him and rushed him back to bed, saying he was too sick to be up and about. When he commented that my father wasn't in my uncle's room, Grandma said he was hallucinating because of a high fever and that, of course, Julius was sound asleep beside their own snoring Henry.

The next morning Grandpa was told of the marriage. He loved my father, but still, this old-fashioned, yet somehow progressive, Eastern European immigrant had held such high hopes for his firstborn child. He was bitterly disappointed that there would be no college for his brilliant daughter. No high school diploma either.


18 16
Two years into my parents' marriage, my father got a surprise. An insurance annuity Grandpa had purchased for my mother's college tuition was available to be cashed on her eighteenth birthday. On Mom's birthday, my father went to claim the fifty dollars. The insurance man said the policy wouldn't mature for another two years. My father said, "But she's eighteen." The man put his hand on Dad's shoulder and said, "Son, you'd better go home and talk to your wife." It was only then, two years into the marriage, that my mother admitted her true age.

Here's one of my favorite stories about my parents: they were in the back of a car, doing what young people generally do in the back of a parked car late at night. A policeman knocked on the window and sternly told my father, "Son, if you cannot control yourself, you had better marry this girl." My father sheepishly replied, "We are married. We just couldn't wait to get home." The policeman walked away without giving them a ticket.

1930
Sometime in the late 1930s, mobster Meyer Lansky organized youth gangs to break up meetings of the pro-Nazi German-American Bund held in Yorkville, a section of NYC. I know from my oldest brother that my father and my mother's brother, Henry, were part of those gangs. My brother would describe with great pride how Dad and Uncle Henry would come home all bloody and beat up, but also victorious and happy.

From Lansky came this recollection: "The stage was decorated with a swastika and a picture of Adolf Hitler. The speakers started ranting. There were only fifteen of us, but we went into action. We threw some of them out the windows. Most of the Nazis panicked and ran out. We chased them and beat them up. We wanted to show them that Jews would not always sit back and accept insults."1

3-2-1
Street fighting was one thing, but pro sports was another. Three is the number of times my father boxed professionally. He quit because his arms were too short "from smoking cigars at an early age" (or so he claimed).

However, short arms had no effect on his abilities in track and field and he won two gold watches for setting jumping records in New York City. One of those watches hangs on my bedroom wall in an old-fashioned gold-flecked round frame with faded navy velvet backing.

Dad also could pitch a mean softball. Early in my parents' Depression-era marriage, my father worked in a White Castle hamburger joint. He and the other workers augmented the menu and sold sandwiches and snacks on the side that their wives and mothers prepared to bring in extra income. When the owner of the White Castle found out, he fired all the men except my father, who could pitch, hit, and run. The White Castle team won the citywide championship that summer. The next day, my father lost his job.

0
That is the number of times my otherwise talkative father spoke to me about his parents. From my mother, I learned a couple of sad facts: First, that Daddy's mother had been ill and hospitalized most of his life. She died when he was sixteen. My father was already working by then to help support the family, but, according to my mother, he harbored great guilt that he hadn't done more to "save her" and that whenever he woke up from a bad dream, he called out her name.

From my mother, I got the impression that my father's father was a stern man. Maybe the times required it. Maybe it was his nature. When there wasn't enough food to go around, my grandfather ate first. He was the breadwinner. He needed his strength.
And when it came to helping my teenage newlywed parents, it was my mother's family who did so. Night after night, my mother's father would sit in that White Castle while my father washed down the counters, the walls, the windows, and the floors. "My poor Julius," Grandpa would say. After my father was fired, Grandpa took him into the family electrical business.

5 17 31
Years later, working for my grandfather, my impatient father tried hoisting a massive air conditioning unit without help. He broke his back in multiple places and was hospitalized in a full-body cast for six months.

Even though I was a little girl and visiting rules were strict, hospital staff allowed me to sneak into his room to cheer him up. To pass the time, he counted my emerging freckles. First, there were five freckles; another time, we counted seventeen, then thirty-one. We measured time in freckles. Time in-between visits. Time trapped in a cast. Trapped in a bed. Trapped in a room and in his head.

7 11
No, not the convenience store, but my father's lifelong love of craps. My mathematical father could count cards and win at blackjack, but that was too easy. But craps, that was exciting, unpredictable. He craved excitement. It was the thrill of the unpredictable that held him captive.

He described gambling to a college friend of mine as "giving a license to somebody to take your money."

2
When gamblers win, they buy jewelry. It's a quick way to get rid of cash before the irresistible urge to gamble strikes again. Through the years my mother accumulated many sparkling pieces of hard-won gambling-earned baubles.
One evening my father jubilantly came home with a diamond ring. Mom refused it, saying she already had a beautiful engagement ring and that he should take it back to the store for cash. He refused and told her to give it to twelve-year-old me. Mom explained that was ridiculous. He then told her to put it away and give it to me when I was older. And two decades later, she did that, giving it to my fiancé, who, in turn, presented it to me. A family heirloom, Las Vegas style.

1 x "Y"
I don't have an accurate number here, but every time Dad needed cash, he pawned his 24-karat gold watch. That watch was in and out of pawnshops dozens of times through the years. When he died, a pawn ticket was in his wallet. We went to the store and re-claimed the watch for the last time. Now my son has it.

5
As in "I'll be back in five minutes," code for my father leaving us at some fancy "comped" hotel-casino dinner to gamble. He was always gone more than 5 minutes. If he looked flushed when he returned, it was a good sign. He had won. If he plopped a big stack of chips on the table in front of my mother, that was even better. It meant he had won and was content to quit for the night. If he was sweating and pale, well, that meant our "free" dinner had actually cost a lot of money.

21, 18
My two oldest brothers were twenty-one and eighteen when I was born. The oldest was already in law school when I arrived. Chagrined, he handed out cigars just as his classmates did—except they were celebrating the births of their children, not siblings. My brother used to say I was almost named "Surprise." My father would just smile and say I was the result of the best afternoon he ever took off from work.

22
That's the approximate number of schools I went to. We moved back and forth between NY and Las Vegas multiple times.

We moved West when my parents got sick of the relatives, the cold weather, and the traffic my father faced driving between Long Island and NYC, where he operated his electrical business.

We moved East when my parents missed the change of seasons, the family, and there was a crop of new Broadway shows to see. The other, not publicly stated reason for the moves back East, were the times when my father's gambling proved to be too big a distraction from his electrical business.

3
The most years I lived in any one place until I married.

I didn't mind all those moves. I thought it was fun. I loved playing "Hide and Seek” amid the mountains of the crumpled wrapping paper and moving boxes.

One brother lived in New York; one in Las Vegas, and the youngest brother moved with us each time. So, I had family everywhere, ready-made friends if you will.

And while I don't remember much drama between my parents about these zig-zag moves, my now-gone, oldest brother did. He said the moves became painful for our mother and that was why she went on spending frenzies at each new house. She was obsessed with getting us settled as quickly as possible. I always thought she just liked decorating. My father gambled. My mother shopped. It seemed a reasonable arrangement in my happy, clueless childhood bubble.

4
Even though gambling was my father's preferred means of making money, he had a variety of work adventures and stories. Here are four of them.

One: During Prohibition, he drove a truck from Canada or maybe just upstate New York bringing liquor to joints in NYC. He had already started going bald and always wore a hat (even at the movies), but at the time he wore it for another reason. He hid a gun inside, hoping to see and capture Al Capone and claim the reward.

Two: During WWII, my father worked on merchant ships. One night near the Panama Canal he had a premonition and slept on the deck, cradling a knife he had grabbed from the kitchen. The boat was torpedoed and started sinking fast. Dad did a running jump off the deck and floated in the water for a day or two. Rescued by a US military ship, he was brought to a naval base outside of NYC and questioned to make sure he wasn't trying to sneak into the country as a German spy. When he was released and my family went to get him, he was standing there, midwinter, barefoot, in a sailor's pants and pea coat—both several sizes too small.

Three: In the early 1960s, my father was a foreman on the Titan Missile construction project in Arizona. He hadn't even finished junior high school, but my father was smart. He pointed out a design flaw, which if it hadn't been fixed, would have been catastrophic.

The construction site was dangerous. There were rattlesnakes on the roads where the men walked and in the construction tunnels they descended to work. The men drew sticks to see who would go down first, knowing that the first down would be the one to startle the snakes. They all carried guns to shoot the snakes, but sometimes the deadly snakes were quicker than they were.

Four: After completing some basic electric work in the home of the great pianist Vladimir Horowitz, my father started to leave. Horowitz waved his elegant arm in an offhand manner and said, "Just send a bill." My father replied, "Maestro, I'll skip the bill if you would play something for me." The usually prickly Horowitz gestured for my father to sit and proceeded to play for about an hour.

My father was comfortable with princes and paupers. He was buddies with the Ambassador from Indonesia and equally close with the janitor who cleaned apartment buildings my father managed. His two favorite restaurants were the Bacchanal Room at Caesar's Palace and a short-order coffee shop on the Lower East Side. Both places had limited seating, but the service and the ambiance were decidedly different.

My father's full name was Julius David Galatz. Everybody, even kids, called him Big Julie. A boyfriend of mine gifted him with "business" cards that read:

Big Julie
Poet-Gambler

$1.25
Aside from that fancy gold watch, which he viewed more as collateral than adornment, Big Julie had only one true personal luxury: Prince Philip Macanudo cigars. I don't remember what they cost in the '80s, but they were and are pretty pricey. Christmas, Hanukkah, birthdays and Father's Day, we kids would each buy him a box. We wouldn't let him smoke the stinky stogies in the house, mind you, but we would buy them. One year, I bought him the obligatory Christmas box and also gave him a handmade coupon book "good for one box per month" for the entire year. For once, my gregarious father was speechless.

2
Cigars always for Dad, but for me, the best gifts I ever received from him were two lessons in kindness—offered spontaneously without judgement or condescension.

Once I complained that my father's brother, my Uncle Lou, had called somebody a "Spic." My father agreed it was a terrible word, but he also told me about Lou's hard life and the troubles he had faced including the loss of his wife in a horrible accident.

He added that Louie had some fun times too including a friendship with that "Red Hot Mama" Sophie Tucker. From all that, I realized an important lesson—people have complex lives and that I shouldn't be quick to judge.

My father re-enforced this lesson a few months later, when he handed me a Nazi party membership book. When I came to the page with the member's name on it, I saw it belonged to my father's close friend. "How can you be friends with a Nazi?" I fumed with all the righteous indignation only a twelve-year-old can feel. My father smiled; then said, "'Fritz' was just a little boy in a small village when the Nazis came to power. His membership consisted of wearing a hat, a tie and a pin. He marched in the town square and saluted. He didn't kill anybody. He didn't hurt anybody. He was just a little boy then. He's a good man."

Another time, thanks to my father's billiards' skills, I was "gifted" with that second lesson about kindness. Dad was playing pool one holiday with a dreadful relative. After a while the relative came into the living room, gloating how he had just beat "the Great Galatz." On the car ride home, I asked my father about it. "You let him win, didn't you? Why?" Smiling, Daddy replied, "It meant so much to him."

5 6
In fifth grade, my father played hooky from school for six months. Mornings, he went to the Bronx Zoo; afternoons, he hung out at pool halls. When the truant officer finally showed up at the house, my grandfather gave Dad a beating.

The next morning, limping into school, he met with his teacher. She gave him the six months of schoolwork he missed to study. He came back the next day asking what else he had missed. The kindly teacher said he could not possibly have studied everything in one night. She begged him not to lie and risk another beating from his father. My father swore he had reviewed all the material. She tested him. He got a perfect score and was written up as a "boy genius" in some long-defunct NYC newspaper. I never saw the article, but I'm sure it didn't reference his epic pool skills.

6
My father dropped out of school in the sixth grade to help support his immigrant family. It was a shame. Not only were his math skills astonishing, but he also had a photographic memory. He quoted philosophers and poets all the time. Each Sunday he read The New York Times from start to finish. It was his Bible and his refuge. For leisure, he would pick up a volume of the family encyclopedia and start reading from page one.

My father didn't just read poetry. He wrote it. One of my most prized possessions is a scrapbook my mother kept of letters my father wrote to her in 1941, while working construction on a military base in Newfoundland. Those letters contain quotations by Tennyson and Shelley, poems he wrote, observations about the nature of man in the midst of WWII, admonitions to my brothers to mind their mother and not be scared about air raid drills and blackouts, descriptions of the Aurora Borealis, celebrating Thanksgiving by taking a bunch of "Newfie" kids for ice cream, laments about loneliness and longing for my mother, and the need for her to control spending so they can save money for a down payment on a house.

$.05, $200, $50
"Give Gil and Mal (my oldest brothers) a nickel each for me," he wrote in one of those letters. In another, he suggested that while the two hundred dollar coat my mother wanted to buy was, no doubt, beautiful, perhaps she could make do with a fifty dollar coat.
  
6, 5.5
In those days before the Internet, my father was my personal worldwide web. Once while working as a reporter, I was doing a story about massive construction cables at Hoover Dam outside of Las Vegas. I wanted to give some context for how much weight they could bear, so, I called my father to ask him how many elephants equaled the tonnage I needed to explain. "Do you want the weight in Indian or African elephants?" he asked "Whatever," I replied impatiently. "Well, think about it. It makes a difference. Let me know in a minute. I'm on the phone with your brother. His trial is on recess and he needs to discuss a point of law." (For the record, an adult male African elephant weight about six tons, an adult male Indian elephant, about five and a half tons.)

Dad once observed that if he could have stayed in school, he would have liked to have become either a writer or a lawyer, but that knowing he had produced a daughter who wrote and two sons who were lawyers he felt satisfied he had achieved both goals.

That said, my father led a hard life and suffered many personal disappointments and, in his last years, terrible health problems.

Once when I faced a significant professional setback, I was lamenting the unfairness of it all—this while my father was in a hospital bed after a massive heart attack. "You'll try again," he said. I looked up shocked. "Galatzes don't quit," he said. It was my last conversation with my father. He died the next morning.

54
That's the number of years my parents were married. It was a tempestuous relationship. He moved fast. She was cautious. He was a "regular Joe" without one ounce of pretense. My mother was regal. She could wear an inexpensive polyester dress and look like she had stepped out of a fashion magazine. He ate onions raw, like they were apples. She had a fondness for caviar. They fought a lot, mostly about money.

They argued, but they also agreed on many things: children came first, West Side Story was their favorite Broadway musical; music and books needed to be plentiful; and having company over for dinner was a must.

And besides writing poetry, my cigar-chomping father always bought his "Dottie" corsages to wear on special occasions.

In the hospital, his last words to her were: "You are always kind to me."

72
My father died at seventy-two. "How did he die?" asked a bewildered good friend, somehow not knowing of the heart attacks, the blindness, and the leg problems. My father was an electrician by profession, gambler at heart, and also one hell of an actor. He lied equally well about his whereabouts (when unaccounted hours were spent in casinos instead of on the job) and he lied about his failing eyesight, his chest pains, and the agony of the veins in his legs closing and causing nightly, howlingly painful cramps and spasms.

137
The only time I ever heard my father say anything resembling self-pity was one night watching the news on TV. The story was about the funeral of a very famous person. The commentator observed that the chapel was filled and that the crowd of mourners had overflowed into the street. My father said that he imagined only ten or so people would come to his funeral. He was wrong. I lost count of the number of people who came up and told me how my father had helped them, saved his life, and was like a father to them. I did, however, count the number of people who signed the condolence book: 137.

100%
A few days after the services, my mother was in the garage folding laundry. She was still in a daze, moving through the task she had done countless times before without thought. As she folded my father's undershirts and socks, all I could think about was that this was the last time she would ever do laundry for my father. It was such a painful idea that to this day, the act of doing laundry is a true affirmation of life for me. But at that moment, I knew one thing for sure. There was my mother, moving forward, not complaining, doing what had to be done. Those were actions I knew my mathematical father would approve of—100%.

1 Quotation from "But They Were Good to Their People", American Jewish Historical Society

Karen Galatz is the author of Muddling through Middle Age, which offers a light-hearted look each week at the perils and pleasures of being a woman of a certain age. An award-winning television and print journalist, Karen's national credits include the MacNeil/Lehrer NewsHour and The Nightly Business Report. Now a Berkeley, California resident, she is a columnist for J. and a contributing writer for Humor Outcasts. Her stories have appeared in numerous other publications.