by Zach Reichert
“Why’s it gotta be so loud?” the patient in Room 2 groaned. “I’m
going crazy in here.”
A high-pitched alarm chirped beside his head, slicing through
the room with each tone. He covered his ears.
I reached to mute the noise. “How’s that?” I asked.
He paused and looked around the room. Sounds echoed from every
corner of the hospital, building to a volume that was impossible to ignore. He
looked back at me, his eyes half-closed against the glare of the sun in the
window.
“Still sucks,” he answered. “Any idea what it’s like trying to
sleep with all this noise?”
I can’t speak on sleeping in hospitals, but I know enough about
the noise to sympathize. I think of the alarms and monitors, the voices of
nurses and doctors, the cries and moans of the injured and sick filling
hospital rooms like smoke. Many patients get lost in this cloud of noise, left
to cope with their illness in loud and crowded rooms.
Unlike my patient in Room 2, Gloria was accustomed to coping. At
only twenty-one, she was already a hospital regular. She had her favorite rooms
and meals: the seventh floor was best, where the rooms were brightest and the
food was warm. She knew that she needed exactly two blankets and four pillows
to rest comfortably.
“I’m telling you, man, I could write Being a Patient for
Dummies. I’d strike it rich,” she told me.
We met during Gloria’s second hospital admission of the month.
Not a personal record, according to her. Not even the worst month in recent
history. She looked at me and shrugged. “I’ve been sicker than this,” she said.
Gloria was born with spina bifida, a defect in her spinal column
that damaged the nerves feeding her entire lower body. She told me that, as a
child, she often sat in her wheelchair at the park, watching her brothers race
from tree to tree. They dodged leaves and branches, jumped over rocks and
fences, and zig-zagged through rows of swings.
“I watched them, then looked at my own feet and wondered how it
felt to move them. To feel the ground. I dreamed about it all the time.” She glanced
at her legs. “I even wanted to fall and scrape my knee, just to see how it
felt.”
Bladder control was another dream. Every few hours she catheterized
herself to prevent her bladder from overflowing, and wore diapers, just in
case. She had frequent urinary tract infections and took antibiotics like daily
multivitamins. It made her feel dependent, old, abnormal. Either that, or
“normal” meant fevers, chills, and nausea. It meant relying on others to help
her bathe and living with greasy hair and dandruff when they couldn’t. It meant
days filled with shots, pills, IVs, and surgeries.
“I’ve seen some pretty old and sick people around, and I think,
yep, I’m just like them. Fine in the morning, but in the ICU by night.” She
stopped, her jaw set, eyes still on mine. “But I’m not the only one here.
Others have it worse.”
There was her older cousin with Down syndrome and severe heart
problems, a friend who was orphaned after a tragic accident, a hospital
roommate who died in bed only ten feet away. And then, there was her father,
who had spent the past twenty years downing plastic bottles of whiskey and
vodka, who came home for a few days at a time before wandering off again,
leaving her mom and two brothers alone for weeks.
“Maybe he lived with another family,” she thought, “one that was
easy to care for.”
But this wasn’t where it ended for Gloria. Her father was more
than just a disheveled, absent alcoholic. He was aggressive and violent.
“When we were kids, we could almost feel it, my brothers and I,”
Gloria said. “After he drank, his voice would get loud and he’d start walking
and stumbling all over the place. He’d yell at Mom, and that’s when we went to
the other room. We had a piano in there that my older brother could play. He’d
start playing and tell me to sing. I sang and cried and sang until Mom came
back.”
“You sang?” I asked.
“It was all I could do,” she answered. “There was nothing else.
It helped me get out of that house. Took me somewhere else until it was safe to
come back. I did the same thing when I was bullied at school. I do it here,
too.”
Gloria’s eyes drifted away from mine. For the first time, the
room was silent. She shifted in bed and began to fidget with a pair of
headphones that rested on her legs. After a minute, she sniffed and took a deep
breath.
“You know I learned to sing first, before I spoke. That’s why
it’s so special. As a kid, I just couldn’t put words together. My brain worked
faster than my mouth. So, the speech therapist had me sing everything first.”
She smiled down at the cords tangled between her fingers. “Now I’m at the
community college studying music. I have to take the year off, though, because,
well, you know.” She rolled her eyes good-naturedly. “I’ll go back though. And
someday I’ll teach other people how to sing.”
Later on, after Gloria had left, as I walked from bed to bed
seeing other patients, I heard something new. It began with what sounded like a
faint, rhythmic tap of the foot, like a marching band far in the distance. The
sound grew louder as I moved closer. Voices rose, with notes pitched high and
low. In a room near the end of the hall, a group of four swayed back and forth
over an old lady’s bed, singing spirituals like any other day in church. An old
man tapped his foot and leaned on his cane for balance. The rest held hands and
sang.
Nobody knows the trouble
I’ve been through
Nobody knows my sorrow
Nobody knows the trouble
I’ve seen
Glory hallelujah!
The music carried through the room and into the hall, where
alarms kept ringing and patients kept moaning. Voices interrupted over the
intercom. Phones rang nearby. The old lady’s infusion pump clicked out of rhythm.
I wondered if she noticed the chaos still filling the hospital as the choir
sang from trouble to hallelujah—if she felt bothered at all as she took a
breath, filled her tired lungs, and joined in song.
I pictured Gloria smiling at my question. “I doubt it,” she’d
tell me, and sing along.
Zach Reichert is currently a medical
student in southern California. He plans to eventually practice
Emergency Medicine as he continues writing fiction and non-fiction pieces
rooted in his experience both in and out of the hospital.
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