by Annie
Dawid
By that time,
I’d broken almost every rule I would break. The smart girl from the “good”
family,” I’d slept with men of every race, creed, and color. Most every drug
had entered my lungs, my nose—though not my veins. I’d attempted suicide—“unsuccessfully”—more
than once, and I’d learned the art of trichotillomania, though I had no name at
that time for such transgressions of the body. “You use yourself as an
experiment,” said my psychiatrist, years later. But he didn’t know the depth of
the experimentation undertaken preceding my arrival in his office.
Almost. In my twenties, grad student
by night, with a boring day job to pay the bills, the damage I had yet to do
remained unfathomed. So when Victoria said, "Want to try heroin,” at first
I thought she was kidding, because all I’d ever known her to do was drink. A
sister-student in my Shakespeare class, we partied together on weekends, our
entertainment consisting of binge drinking at bars, sometimes followed by crazy
eating if we found ourselves without men by night’s end. More than once, we
concluded the party at Clown Alley at two in the morning, scarfing tuna melts
with fries, smearing them into our hungry, gaping maws, so drunk and messy the
owner threatened to kick us out.
Victoria was heavy,
buxom, blond, innately savvy about how to catch and hold men's attention. She
wore short black dresses with black heels, her shapely legs exposed. At the
same time, she remained phenomenally insecure: born into a family of drunks,
both terrified and certain she was heading the same way. By the time we
met, she'd had three or four abortions, all of which she agonized over
profoundly, all originating in drunken one-nighters with strangers, hoping for
connection, love, affection—everything every one of us needs. Guilt over
abortion drove her to the bottle, and the pattern continued.
I possessed my own
coping mechanisms, coming from a family of crazy people. We are crazy all on
our own, without recourse to any genre of mind-altering substance, legal or
otherwise. We're Jews, not known for drinking as a culture, though of course
Jewish drunks exist, including my sister, though I did not know of her drinking
then. Though I drank, fish-like, with Victoria, I remembered reading in the
poet John Berryman's unfinished memoir, Recovery
(unfinished because he threw himself off a bridge in the frozen heart of a
Minneapolis winter while composing it), “Jews don’t drink.” He hoped to make
lots of Jewish friends in the asylum because he believed they never became
alcoholics; perhaps he thought they were genetically incapable of it. I must
have believed it too. In my family, my mother, my brother, myself—all of us
managed to get ourselves committed to psych wards—voluntarily or otherwise—without
benefit of any substance at all. Even pot propelled my brain to scary
precipices of heightened realities: the congenial park down the street
metamorphosed midday into a labyrinthine forest, the two blocks between my best
friend’s house and mine transformed themselves into a terrorizing odyssey,
rapists waiting under every tree. I always told people, when they asked me to
share a joint or drop acid, “My mind is a scary enough place all by itself, but
thanks anyway.”
“Heroin can’t be
compared to any other drug,” Victoria insisted. We'd just snort it—nothing
more. In fact, she said the high was softer and gentler than any drug I had
experienced. A bit like the best drunk, only it didn't make you want to eat. In
fact, you didn’t think about food on heroin. For heavy women, this aspect held
much appeal.
The night she
introduced the idea of heroin to me, Victoria brought along her ex-boyfriend,
conveniently accompanied by a friend for me as well, so there were four of us,
neatly coupled. Her ex, Bill, now just a friend, had become a dealer, too deep
in his habit to be sexual.
It made sense that
Victoria would be attracted to heroin, alone among other drugs, for it shed an
otherworldly light, associated in her mind with literati in London’s
fin-de-siecle opium dens, formally dressed for their dreamy reach into
oblivion. I, too, was drawn by that vision, summoned by The Picture of Dorian Gray we’d read in
class together. Did I say no? I did not. I was curious. If she had suggested
using needles, my refusal would have been automatic. But snorting? What harm
could that do?
Bill brought the heroin
along to our meeting at the Savoy Café in North Beach. Each of us paid him
twenty dollars. Stan, his friend, was broke after our first glass of wine, so I
ended up paying for “my date” and I to drink several rounds.
Victoria had snorted heroin
before, though Bill had advanced to the needle. After hours at the Savoy,
drinking red wine, Bill said we should go out back. The rain had cleared, and we
could see stars in the San Francisco sky, not a common occurrence, these shivers
of unexpected light. I sat on a damp curb, waiting passively for the event to
unfold, a spectator at my own life.
Stan unfolded a
rectangle of aluminum foil, Bill provided the heroin and the lighter, and we
began. The longer we sat there, the brighter the constellations glowed.
Doubtless my ass was damp and stiff from the wet cement, but I remember none of
those details. Apparently, it never crossed my mind that we could get caught,
sitting on the curb snorting heroin. I remember laughing, though, delighted by
whatever delights one in a state beyond drunkenness, Victoria and I all over
giggles, while the men remained quiet.
I only managed a few
snorts before I said I’d had enough. “More for me,” said Stan. He was bland, a
man whose sole outstanding descriptor was his position as a gardener at a golf
course, which meant he had to be on the greens at six a.m. the next day. I
didn’t care about him. Would I spend the night with him? I didn’t think about
it. The moments there on the curb, observing the stars where they didn’t
usually exist, constituted an isolated envelope of bliss. At once, I understood
the allure of the drug: the idea that one needed nothing else in the world.
Victoria never told me
how sick I would get.
A purposeful evasion, a
convenient elision of truth? That night, in the gardener’s basement apartment,
I woke in the darkness and needed to vomit, but I didn’t know where I was or
who he was or where a bathroom might be. He was yelling some sort of direction
to a toilet, but I couldn’t understand his words. I threw up on the floor, the
carpet, and finally in the kitchen sink. Stan was furious. At five, when the
alarm went off, he told me I had to leave; a key was required to lock the apartment
door, and he had no extra. Somehow, I called for a taxi, still dry heaving, my
brain now recoiling from what I had done to it.
The cab driver surveyed
me, assessed the damage, and said nothing all the way to my apartment, me
with my head out the window in case I got sick again. The sun shone, and I saw
people waiting for buses on corners, though the sight of life going on hurt my
eyes. It took days to recover, my head ringing with pain, whoever I was
more disordered and directionless than ever before.
Was that night the
nadir of my existence? Drunk, stoned on heroin, in bed with a stranger and
puking all over the floor? How deeply I descended in that man’s apartment, my
body beyond my control, my soul atomized into particles. I had sunk, evidently,
to my intended destination.
“These
fragments I have shored against my ruins,” wrote Eliot in “The Wasteland.” I
remembered the Hebrew injunction: “Tikkun olam,” to heal and restore the world
by finding the pieces of holiness god had dispersed all over the world. Slowly,
I gathered my fragments, harvesting bits of self scattered like shards of light
everywhere.
Annie Dawid teaches creative writing at Arapahoe
Community College in Denver. She has taught workshops at the Taos Summer
Writers Conference and at the Castle Rock Writers Conference. She retired as
Professor of English and Director of Creative Writing at Lewis & Clark
College. Recent awards include the Orlando Flash Fiction Prize, the Dana Award
in the Essay, the Northern Colorado Award in Creative Non-Fiction and the New
Rocky Mountain Voices Award in Drama. She has published three books of fiction:
York Ferry: A Novel, Lily in the Desert:
Stories, And Darkness Was Under His Feet: Stories of a Family.