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Showing posts with label working. Show all posts
Showing posts with label working. Show all posts

Wednesday, June 28, 2017

In the Matter of My Law Degree

by Barb Howard

We are moving. Packing must begin. But, first, a weeding out of the things that should not be packed. The junk. I bravely start in our ersatz storage space—known as the crap closet. In the closet, along with ski boots that don’t fit anyone in our house, a loosely-strung badminton racket, a ball pump, and a clothes iron (so thats where it was!), there are certificates of education of the type that one might hang on an office wall if one didn’t work primarily in one’s kitchen. Among them is my law degree. Roughly three times larger than the others—making it about the height of a beer fridge—the law degree stands out from the pack. There it is: ironic (given its relative size and how little law I practiced), non-reflective (figuratively, but also literally because I paid for non-reflective glass), and, frankly, with all its self-importance and Latin curlicue-ness, kind of goofy. I won’t go so far as to say the degree looks like a joke.

How many lawyers does it take to screw in a light bulb?

I practiced law in the late ‘80s and early ‘90s. The tasks I was given as an articling student and junior associate kept me busy and in lawyer clothes (it was the no-shoulder-pad-is-too-big era). By setting up small companies, closing down small companies, and telling individuals why they should become small companies, I thought I was successfully doing what downtown people did. Company stuff! I had only worked in an office once in my life—at a summer job where my main responsibility was to write tiny words on tabs for file folders and which I quit spur-of-the-moment when I got offered a job as a canoeing instructor. In any event, at the law firm I didn’t trouble myself with the larger picture of what I was accomplishing or about how much law I was actually practicing. I was twenty-five years old and making money. In one performance review I was told that I smiled a lot. Too late, I realized that was a tip-off, a hint that I wasn’t going to be smiling for much longer.

The managing partner, the guy with the manicured hands and perpetual ski tan, soon invited me to his office to tell me, essentially, to take my smiling face, my shoulder pads, and briefcase, home for good. He said I seemed nice but that I never seemed to “get it” (“it” being the practice of a law, I guess) and suggested another profession, really any other profession, might be a better fit for me. He said, recalling the recent firm ski trip, that he hoped that we would cross paths on the slopes sometime. On my walk home I imagined how we might cross paths on the ski hill and the managing partner did not fare well in any of the scenarios.

“Let go” was the euphemism for firing in those days—the odd implication being that there was new-found freedom involved, that it was a fine thing to be let go from your salary. If I was smiling when I got let go, it was just out of bad habit. Mostly I was wishing I had been plain fired, not let go. Being fired sounded like chutzpah and moral outrage were involved. Like I stood up for something. (Smiling?)

Hey, I don’t know how many lawyers it takes to screw in a light bulb. I didn’t practice long enough. But I do know they should all go about it very very seriously. No smiling. And I also know that skiing skills won’t necessarily keep them on the lightbulb team.

What do you call ten law students buried up to their necks in sand?

I arrived at my legal training through an indirect path. I liked the outdoors and so, after high school, I enrolled in the faculty of Forestry at a west coast university. To the eighteen-year-old me, that was a logical move. (I didn’t learn about logic until law school, and I didn’t pretend to be logical until I had children.) My parents seemed doubtful. My dad started referring to me as Smokey the Bear. He was a lawyer, which at first glance may seem highly significant to me and my law degree. And I suppose that it was. However, and I know this will be unbelievable to anyone who, unlike me, grew up in a “tell us about your day” type of family, I had no idea what being a lawyer meant or what my dad did at work. He never talked about it other than to refer to it generically as “the office” or “work.” As in, “I’m going to the office” or “some of us have to work.” Certainly, because my dad was a lawyer, I knew that there were such things as lawyers. But I’d like to think I could have figured that much out myself.

My mother, a woman of quiet wit and uber calm, and with the power to crush any ill-conceived dream with a single practical observation, suggested I shouldn’t feel pressured to go to university just because my older siblings were degree holders. She said there were other options for people like me. Like me? You know, she said, outdoorsy types. Sporty types. I should have given her words more thought but, at the time, with my teenage chip on one shoulder and my teenage ego on the other shoulder, it felt like she was calling me that old cliché—the dumb jock. Come to think of it, she probably was calling me that.

So, of course, being eighteen, I ignored everyone’s input and forged ahead with my Forestry plan and, of course, soon discovered that hiking in the woods was not the same thing as identifying the woods, understanding the woods or, for that matter, cutting down the woods. This was long enough ago that, even though the course content no longer reflected it, the hearty refrain to my faculty song was "cut, burn, and pave!" I learned a few things about nurse logs, cork boots, and waterproof pencils. Still, there was a problem. I liked the words dendrology and silviculture more than I liked studying dendrology and silviculture. While I was in Forestry, I was also taking English courses. In Forestry, we could only read good books in our spare time, whereas in English we read good books as part of our course work. And, full disclosure, I got better marks in English.

One night, at a gathering of the woodchoppers at the university pub, I confessed to a Forestry prof that I was thinking of switching to the faculty of English. He said, do it. Then he bought me a beer by way of celebration. I never was sure if we were celebrating me or celebrating the fact that Forestry would be rid (let go!) of me. (In fact, they weren’t rid of me—for years I stayed on their intramural teams and hung around their parties like an invasive species.)

So I finished in English. And then, like thousands of uncreative Arts students before and after me, saw no way to make a living other than by attending that privileged temporary haven from the working world: law school. Long story short: I did not distinguish myself in law school (except perhaps that one night on the broomball rink) but I did graduate and obtain the large certificate that ended up in my crap closet.

What would I call ten law students buried up to their necks in sand? Drunk. Once your gut is full of beer and law student comradery, burying yourself in sand might seem like a grand idea. A funny photo op. I came home from my first year of law school so bloated with boozing that I looked like a puffer fish. In my graduation photo, two years later, there is no visible improvement. Maybe a better question would be to ask how many law students of that era became full blown alcoholics during or after law school. That’s a stat that should be kept. Still, from what little I remember, it was super fun. I was probably smiling the whole time.

How do you save a drowning lawyer?

I articled and practiced briefly at the aforementioned firm, and then, after being let go by said firm, I got a job at a big-ass oil company. What let-go Calgary lawyer from my era didn’t work at an oil company? Oil companies were welcoming and, in those days, didn’t seem to expect too much from workers at my level. No nights or weekends, every third Friday off, and a helluva Stampede party. At the oil company it seemed no one ever missed lunch. Lunch was important. I spent mine on a bench in the Devonian Gardens—writing stories. I wrote fiction. But, sure, a few law colleagues, barely disguised, might have ended up on the page. Some as heroes and heroines, some as ski-tanned nutbars. The oil patch job wasn’t exactly drowning me, but the writing certainly buoyed me. More writing, I decided, would be a good thing.

I left the oil company for a legal writing job that I could do mostly from home. I wrote case summaries at a publishing company that was a de facto holding pen for pregnant lawyers, female lawyers with preschool children, and female lawyers who did not “get” the profession. I fit all those categories. Although lawyers are typically portrayed as being long winded, the women in the holding pen were efficient with words. They didn’t have time to fuss around. They knew their shit. They didn’t take shit. That was impressive. However, in the world beyond the holding pen, the job was seen as lower grade. Women’s work. Once tainted with a case summaries job, it was a rare lawyer who could claw their way back to private practice.

When I worked for the legal publisher, I did my summaries at home and, once a week, I put on some shoulder pads (smaller ones than I wore in the ‘80s) and drove a floppy, yet succinct, disk of my words to the downtown office. Email was newfangled and considered too risky a conduit for this type of groundbreaking information. While working from home, with no overlord to keep track of how I was using my time, I began writing fiction during the daylight time when my kids were at daycare--which is when I was, in theory, supposed to be writing the case summaries. I also began a lifelong practice of rationalizing my outdoor activity time as the same as working out in a downtown gym over lunch. This all led to a panicked writing of the case summaries in the middle of the night when my kids were asleep. I learned this skill of burning the candle at both ends at law school, and am thankful to have it. Others might call it time mismanagement.

I quit the legal summaries job, my last law-ish job, when the publishing company decided they wanted everyone to work in the office. That would have thrown a wrench into my fiction-by-day, law-by-night, outdoor-activity-whenever-I-felt-like-it system. I began calling myself a writer even though most people rolled their eyes. Twenty years ago I wrote a contest-winning story (loosely linking a beekeeper and a kid I threw up with in elementary school after we binged on powdered Kool-Aid) in Canadian Lawyer and established—at least to the five or six people who read it—that I did indeed do some writing. I was no John Grisham. No William Deverell, although their names were, and are still, mentioned to me at every turn. In any event, with that resounding one-story success and an unhinged optimistic view of how fast my literary star would rise (still waiting on that …), I settled into my writing life.

How do you save a drowning lawyer? One answer might be: send her to a legal publisher where, outside of the traditional legal pools, she is able to envision writing as a career. Throw her a life ring and let her kick to a different shore.

A lawyer, a writer, and a marriage commissioner walk into a bar.

Over the decades I’ve gone through various phases in my relationship with my lawyer-past. My bios, supplied for stories and books and events and in courses I teach, illustrate a shaky progression. When I first declared myself as a writer I didn’t have any publications and so I used my lawyer-past to flesh out an otherwise empty bio. I felt it said, hey, give me time, I was busy before this run at writing. And, I was proud I had made it through law school, albeit without flying colours. I only practiced for a few years but I did have that oversized degree as tangible proof that I graduated. Then, about fifteen years ago, after a few publications and around the time I was working on an MA in Creative Writing, I entered a phase of embarrassment that I ever was a lawyer. I met a few established writers who told me they could have gone to law school but they didn’t because they knew it would suck out their souls. One writer told me she went to law school for one year and then dropped out because it was conformist and restricting. They all indicated they were SO not lawyer material, and I understood it, as I believe it was intended, to mean that lawyer material was a bad thing. I took “lawyer” out of my bio and entered a period of pretending that I had no educational or working past, that I emerged fully-formed from a creative writing petri dish. I did a fine job of deleting from my bio not just the lawyer aspects but all the traditional and comfortable trappings in my life, including my husband, my kids, my proclivity for (and free time for) outdoor activities. I assumed “lawyer,” and all my other life accoutrements, made me look too mainstream and shoulder-padded to possess any creative abilities.

More recently, I have re-introduced “former lawyer” into my bios, in part because I have been digging around in my lawyer past, and in law in general, and I am exploring the interface between law and writing. Many individuals participate in both professions. In the creative writing classes I teach there is usually at least one lawyer enrolled. One obvious overlap is that lawyers and writers draft, edit and nitpick over written words. In my experience, both lawyers and writers tend to read widely beyond their job requirements. Of more interest to me, though, is the way both professions are based on narrative. In law, the story—the “what happened” or the “what if this happened”—underlies everything. The five w’s (who, what, where, when, why) of storytelling could form an outline for any lawyer interviewing a client, building a case, or drafting a contract.

Lawyers and writers are trained to look at scenarios from every angle. Writers call those angles Points of View and while they might only choose one or two through which to tell a story, an experienced writer will consider all the Points of View, the mindset of all the main characters, in order to create a rounded text. Similarly, a lawyer must study a legal situation from the perspective of all the stakeholders, or characters, in order to not leave holes in a contract or court case.  

In a civil suit, the parties are usually called the plaintiff and the defendant. In Canadian criminal cases, the parties are usually called the accused and the Crown. In contractual documents, the sides are often called the something-or and the something-ee. In writing, similarly, the parties to the story are often called protagonists and antagonists. In real-life law and in most good writing, the sides are rarely as clear and dichotomous as the models suggest. Perhaps someone is withholding information, perhaps someone’s backstory makes unreasonable actions seem more reasonable, perhaps a third party, a secondary character, arises and throws a wrench into the expected narrative. It’s the grey areas that make both law and literature interesting. Arguably, it’s the grey areas that make literature, well, literature.

 

There are also commonalities in the nature of the relationship between lawyers/writers and their clients/readers. That is, the very relationships that are the source of their incomes. Just as there is a contract between a lawyer and her client, there is an implied contract between an author and her reader. A client expects a lawyer to handle their narrative situation. A contract is formed when the client pays the consideration of a retainer or fee. Similarly, be it fiction or nonfiction, a reader expects the author to handle and deliver a story. Arguably, a contract is formed when the reader buys a book. Arguably, a contract is formed when any reader, not just the book purchaser, opens a book and puts their trust in the author to spin a story. If you open my book and fall asleep after two pages, I probably have not upheld my writer-end of the contract. I haven’t delivered the goods.


And, finally, lawyers and writers provide checks and balances on each other. Through stories, writers remind lawyers that they could be as upstanding as Harper Lee’s Atticus Finch (“upstanding” in the way he is generally viewed to be in To Kill a Mockingbird as opposed to recent deconstructions and his portrayal in Go Set a Watchman) or as vile as Charles Dickens’ Mr. Vholes (the name says it all). Writers create works that warn lawyers that if they don’t take care of the institution of law they could produce folly or unfairness or worse. The term kafka-esque would not have arisen without a writer (and, as it happens, an insurance lawyer) named Franz Kafka.Lawyers provide assistance and legal balance for writers. Most writers can’t afford a lawyer but, when a situation goes really bad, who you gonna call? Maybe a publisher or a writing organization who calls a lawyer on your behalf? Maybe a friend of friend of a guy who used to date your neighbor is a lawyer who feels the need to address copyright breaches, disappearing publishers, libel suits, and the Will your famous writer-spouse forgot to draw up? When they are available and affordable, lawyers can be useful. And at the highest level of the law, the union between lawyers and writers is forever sealed because lawyers are integral to maintaining that key Charter right for writers: freedom of expression.

What's the difference between a dead skunk and a lapsed lawyer?

Perhaps I’m dreaming, but I’d like to think that there are many differences between a dead skunk and a lapsed lawyer. At the very least, there seem to be some obvious physical differences like, say, the number of legs.

A similarity between the dead skunk and this lapsed lawyer is that neither of us can practice law. I had one short phase of thinking I might re-write the Bar exams and re-enter the legal world. But, like the skunk, that phase died. The process would cost too much money, take too much time, and I had too little interest. It galls me to say it, but maybe that managing partner who said I didn’t “get it” was right.

Back to the crap closet and my law degree. I decide to keep the iron, thinking I will try a few sessions with it but feeling pretty sure that I don’t own enough iron-able clothes to make it a serious pastime. I fill a garbage bag with fossilized runners, hazy swim goggles, and all the other items that will never be used or re-used by anyone, and I drive to the local dump. Among the things I toss in? My law degree. I never missed it when it was in the closet and it’s just too big for where I’m headed. I don’t know if I “get” what I am doing now, or if I am better at it than I would have been as a lawyer, but I do know that I am enjoying the direction. I have no regrets about getting that degree and no regrets about dumping the physical representation of it.

A few more differences between a dead skunk and this lapsed lawyer? Okay, one of them is alive. And that one is still smiling, not at the dead skunk or at a joke, but at how things have a way of working out over time.


Barb Howard is the author of the short story collection Western Taxidermy which was a finalist at the High Plains Book Awards and a winner of the Canadian Authors Association Exporting Alberta Award. She has won the Howard O'Hagan Award for short story, published three novels, and is currently writing, at a snail’s pace, a book about law and literature. Barb lives in Calgary, Alberta, Canada. www.barbhoward.ca

Wednesday, July 23, 2014

The Last Seltzer Man


by Shayla Love

        A Dodge Man with a Mercedes Grill
        Pia Lindstrom had a great pair of legs, but that wasn’t what Walter Backerman remembers about her.
        After an interview with Walters father, Al, she looked into the Channel 4 WCBC-TV camera and said, “Its a shame that after 55 years of continuous service, that Mr. Backerman senior will be the last seltzer man in the family. His young son Walter is enrolled to start law school in the fall.” She flashed a smile. “Its a shame. There are too many lawyers out there and too few good seltzer men.”
        That was 40 years ago. Turns out, the world was spared another lawyer.
        I met Walter on the corner of 7th Avenue and 22nd street after he dropped off his son, Joey, at school a couple blocks away. His seltzer truck is an advertisement, photo album and scrapbook, all at the same time. The sliding doors are printed with images of seltzer bottles from television, 19th century France, and recycling bins.
        Like other aspects of his life, this truck started one way and became another. This is a 1995 Dodge Sprinter, but youd never know it, since Walter fixed a Mercedes grill to the front. Walter is good at adding a little glamour to everyday things. Like a Dodge, or a blue collar delivery service job.
        The front seat of his truck is filthy. It looks like a space where coffee has been spilled and a lot of life has been lived. The wall behind the drivers seat is covered with pictures of celebrities. There are autographed head shots and faded news clippings. Like all good photos, they carry a thousand words per picture, per star, of where and when Walter met them, and how they became his friend. A poster from “The View,” is signed by the whole cast.
        “Barbara Walters is like a faucet,” Walter said, as he stirred sugar into his coffee. “You know what the faucet does? It runs hot and cold, you follow me? My wife said to me, lets be real. This woman could pick up the phone and call the president. How important is Walter the Seltzer Man in the scheme of things?”
        Pretty important. Walter might be the most connected man this side of Hudson Street. His stories jump from news anchors, to movie stars, to investment bankers, to that time he tried to give Mayor Bloomberg an antique seltzer bottle—the kind he delivers everyday—and almost got arrested. When detectives showed up at his Queens home later that day he said, “You guys came all the way from city hall, youre lookinfor a big story and all you found was Walter the Seltzer Man. Are you relieved or disappointed?”
        He gave bottles to Whoopi Goldberg and to Alec Baldwin. He knows where any movie star lives in Manhattan because hes been inside their homes. Hes enamored by the stars, and pins their names on his stories like award ribbons. We were driving south on 6th Avenue, past the old Air America station, when Walter blurted, “Rachel Maddow, Im mad at her. I still like her, but Im mad at her.
        After Air America went out of business and Maddow moved to MSNBC, Walter never got his bottles back from her. This is one of the few things you can do to get on his bad side.
         Walter is protective over his bottles. They are his livelihood, his passion and his personal collectibles. Most of them are as old as he his, 60. Some are older. Still, he doesn’t charge deposits; he operates on trust.  When a bottle comes into your home, its a loan of faith directly from the seltzer man, to you. This big man with big stories, has a big heart.
        “From time to time, a bottle breaks,” Walter said. “I got a kid, last stop on 23rd. One time, he took all my bottles and threw them down the incinerator. A case of blue bottles. He said it was fun. I told the old guy who takes care of him, 30 dollars,”—when the real value was hundreds. “I did it because I felt for the guy.”
        Walters green eyes are tired from fatigue, but they light up a little each time he begins a new anecdote. I ask him about other difficult clients hes had, partly because Im curious, partly because I see how much joy it brings him. Walter tells me he delivered to Calvin Kleins mother.
        “At the beginning, Flo Klein was nasty,” Walter said. “I turned her on a dime.” Soon she was giving him a bottle of cologne for every holiday, be it birthday, Christmas or Chanukah. It isnt his style, but he valued the gesture. Mostly, he thinks its important to be able to make a friend out of an enemy. 
        We reached our first stop; Peter Cooper village on 1st Avenue and 20th street.       
        “Whats up baby? Im delivering seltzer.
        A guard walked out of a gatehouse. “To who?”
        “What do you mean to who? Im the seltzer man, you never heard of me?”
        Walter had been to Peter Cooper Village that morning. But he was coming back for an older woman.
        “Shes a nice old lady, she wanted to sleep,” Walter said. We had come from the west side, and Walter had made an unnecessary loop in morning rush hour to return.
        We parked on a service road. Walter pushed down on the tops of the bottles in short jabs, to test the pressure. He was listening and looking for the spurts of seltzer that come out and the sounds of the hiss. He wont give out a bottle he isnt happy with.
        Walter delivers in a modern vehicle that runs on gasoline. His radio plays top 40 hits and he had a coffee that morning from 7/11. But when he slides open that door and puts that wooden crate on his shoulder, he may as well be climbing out of a horse and buggy. There’s something beautiful about an anachronism walking down 1st Avenue; he takes the whole street along with him.

        The Fountain’s Head
        A seltzer delivery man used to be as common as a milk delivery man. Each seltzer man had his own route that he inherited from a father or an uncle. They got their seltzer from seltzer fillers in Brooklyn, Long Island, or the Bronx. There used to be hundreds of fillers, and even more seltzer men. Now, the number of seltzer men can be counted on one hand. Only one finger is needed for the fillers. Gomberg Seltzer, run by Kenny Gomberg, third-generation seltzer man, is the only place to fill an old, pressurized bottle in New York City.
        Its hard to imagine a time when these antiquated bottles were as present in every home as a stick of butter or a frying pan. Soda water was invented in 1802 in Dublin, and made its way into restaurants and businesses, eventually being mixed with syrups and liquor. The individual “soda siphon,” a version of which Walter sells today, brought seltzer into personal residences. A Harpers magazine article from 1872 recommends that the summer seltzer drinker enjoy it ice cold, and speaks favorably of adding lemon. Hot seltzer, usually chocolate or coffee flavored, was not as popular, and has not stood the taste test of time.
        The production of bottled sparkling water, busier professional lifestyles, and large soda corporations caused this business to lose its fizz over the last 50 years. I asked Kenny what his grandfather would think, if he knew that he was the last seltzer filler. Kenny couldnt come up with an answer, it was that unfathomable. Like Walter and Al, his is a family affair. His son, Alex, just joined the legacy.
         Compared to the loud trucks and bustle of the city, the nondescript factory building is a kind of oasis. The bottles are filled with New York City tap water and carbon dioxide. The valve is sealed immediately, so that no pressure leaks out. A bottle can retain its carbonation for years. But these are active bottles, and they all visit the Gombergs on a weekly basis. Its a cycle thats been happening at Gomberg Seltzer since 1953.
        After another hiss and the spray of overflowing carbonation, a hard working bottle gets a little rest before it’s sent out again with Walter.

        We left Peter Cooper and drove west, along 9th street and stopped in front of a brownstone right before 3rd Avenue. Walter and I walked into a beautiful townhouse with a Japanese style garden in the back. An elderly woman came to the door.
        “Im glad youre here, glad youre in town,” Walter said. “Where are the kids? School?”
        “No, theyre at a museum today,” she said.
        “Thats nice. You got beautiful grandkids, both of them.” Walter put the seltzer down and admired renovations that had been done in the kitchen. “Myles is getting real handsome. Its nice that theyve got you to come visit. Im real glad youre here today, dont worry about paying. Ill catch up, I always catch up.”
        “Dont work too hard!”
         We left. He didnt get paid for that delivery. He said hes not worried.
        “The seltzer man always gets paid.”

        Kryptonite
        “In the South Bronx in the 1980s, a black man fired a shot gun into the air.”
        I am riveted, and so is the deli man making our sandwiches. Walter continues his story.
        “I is Sweet George,” the man yelled, in front of a seltzer filling factory. “Now I runs this shop!”  This show of power would help protect Sweet Georges property, money and delivery men. One of those men was a young Walter Backerman. They had to fill at odd hours to have enough time to make all their stops. Walter, and his assistant Frankie, would carry two loaded guns with them at all times to ward off thugs and robbers.
        When Walter made his route in tough neighborhoods, he would call a meeting of all his helpers. He said, “Anybody comes to stick you up, just call my name. Ill shoot em in the back, Ill flip ‘em over to make it legal, and Ill pull my money outta there.”
        Its hard for me to believe these stories, as I watch Walter chat at the register and tell the cashier to have a nice day. Hes never hurt anyone in his life. He told every old lady wed seen on the route how nice they looked. He will buy anyone a coffee. When his assistant, Frankie, got old and senile, Walter couldnt bear to fire him. Frankie was so run-down that when he stood on the corner holding a coffee cup, a passerby threw a quarter in, thinking he was homeless.
        “You dont understand, I didnt want him,” Walter said. “I pay him good money. I just cant cut him loose. When someone gives you that devotion, I cant cut ‘em loose.
        Walter showed me a stack of wooden crates an 80 year old customer used to make, six a week. At that time, Walter didnt need them. But he kept buying them because he didnt want to discourage an old man who needed the money.
        “Id rather give the guy 30 dollars for the boxes and keep him working,” he said. “Cause I want someone to keep me working.”
        Thats what it comes down to these days. Kenny, Alex and Walter just keep going. And by doing so, they support each other.
        “Looks like Im not working today, cause Im just bullshitting with you,” he said. We were parked in the West Village and had delivered to two more apartments and a restaurant. “Im tired. Some days you get up and youre all perky, and some, the week just gets to you.”
        We ate our sandwiches and Walter took the opportunity to show me around the memorabilia-laden truck. He pointed to a photo of a young man with long curly hair and white bell bottoms.
        “Thats me when I was my son’s age.” Walter said. “I was there helping my father. I was going to start law school, going to go that summer. Then, my father got emphysema and he almost died. So I started helping him. I was supposed to help for six months. Take a leave, go back. It just was never the time.”
        When Walter talks about his father, all the celebrities and name-dropping disappears. Al Backerman becomes the only famous man in the world. I wondered earlier how a young man could give up law school and the promise of a comfortable life. It was for the chance to be with the biggest star of all. Al died in 1998 from lung cancer.
        I picked up a bottle at random. It was heavy and the glass was thick all around. The top said, “Al Backerman 1952.
        “Thats the most beautiful bottle in my whole route,” Walter boomed. “Al Backerman, thats my father. And the date, 1952. You know whats important about that bottle? Thats when I was born. So I was in diapers and that bottle was making money for the family.”
        I’m starting to realize that the seltzer route, at every stage, is an homage to heritage. An homage to the past, from the present. To fathers, from their sons. The reusing of the bottles, and the repetition of the route, echoes its respect to tradition.
         We drove up to our last delivery, in Alphabet City. It was my last stop too.
        Walter gives me some things to take with me, before I go. He gives me a worn tour guide of Manhattan based on film shoots and celebrity homes, an open invitation to knock anytime on the door of his truck, and a photo of him and an old woman wearing a Superman shirt. Its his favorite celebrity hes met.
        “Thats Noel Neil,” he said. “In the original adventures of Superman that I used to watch when I came home from school, she was Lois Lane. Shes 92 years old. And I still like her.”
        I looked at the photo, which was carefully labelled with a name and date in blue ink.
         Noel Neil is not the superhero in this photo, I thought.
         Walter has no cape, no a body suit. He is a just man with trouble paying the bills, two kids and wife on disability. He is a man who has an injured shoulder, a long delivery route, 70 pound crates of seltzer to carry up three floor walk ups, and no heir to his throne. You could say that he has super strength.
        Walter has no regrets about giving up law school to work with his dad. He didnt lose much, he only gained. He became tied to a lineage that goes back to his grandfather, who drove a horse-driven seltzer buggy in 1919. Its a place for men to teach lessons, and Walter received a full share of them.
        “They used to say if bullshit was electricity, Al Backerman would put Con Edison out of business,” Walter said.
Our sandwiches were eaten, the seltzer was delivered, and all that was left was for Walter to teach me one of his father’s lessons. “People don’t always need hear the truth. When my Aunt Stella at 65 was dying of stomach cancer, my father went down, took a week off from the routes and he went down to say goodbye to his sister. At the end, she was frail, falling apart, nothing to her, she put lipstick on. She had a couple days more to live and my father said, ‘You know Stella, I have a crazy feeling youre gonna get better cause you look great.And she said, ‘Oh Al, I just put some lipstick on. But do you think? Maybe youre right. Oh, thank you.And thats the last time my father saw his sister. She died right after that.
        “In 1998, my son Jonathan was three months old and Joey was a year and four months old. My father had lung cancer. I remember looking out the window of the hospital and knowing that my father was never going to make it down to the street. So I took my sons, Jonathan in my hand and Joey in my arms. And I wanted—even though they would never remember—I wanted them to see their grandfather.
        “My father had a morphine drip, but for some reason he got up. He took the mask off and he saw the kids and he said, ‘Walter, what are you crazy? What are you bringing kids to a hospital for? All they got here is sick people, youre crazy, you shouldnt have brought them here.And I said, ‘You know Al, I think youre getting your energy back. I think youre gonna be perfect, and youre gonna be all right, and I miss you on the route. I want you outta here. My father looked at me and he said, ‘All I do is dream about the route. I wish I could rest already.’”
        I hopped out of Walter the Seltzer Mans truck, looking up at him from the sidewalk. I wonder if he will ever get to rest. Walter took my hand in his and couldnt resist giving me one more piece of advice. “The most important thing is just being a human being, and saying the right thing for a person who needs it at the time. And that is my last story for today.”
       
       
       

Shayla Love is a journalist and storyteller living in New York. She is a reporter for the Norwood News and has been published at BKLYNR.com, Gothamist, and iMediaEthics.