by Susan
Eve Haar
There are many appeals to Las
Vegas aside from my brother—my youngest, at a California college, will not come
east; we all have a taste for sleaze; a few of us like to gamble; and we have a
super discount suite in the best new hotel in town, courtesy of my kids’ pal
Dan, a dropout from the Cornell School of Hotel Management. The suite is a
triumph, glittery and luxurious, and the price is certainly right.
Everything is spanking new.
The side-tables are classics designed by Eames. They look like giant chess
pieces, flat-topped pawns or de-crenellated castles. The muted greens of rug
and fabric suggest an oasis suspended over the strip that unspools outside the
gigantic living room window. There’s a bar lined with modern Danish glassware
and sparkling light fixtures, suspended circles hung with cut-crystal balls
that refract and reflect the light. Bits of rainbow ready for the Cinderella’s
ball. I desire them. I feel the itch to pilfer. I stand on a chair and reach up,
de-looping one of the crystal drops that cluster on the fixture, attached only
by a delicate wire. It’s easy, really. Like so many illicit acts, I slide right
into it. Holding the crystal in my palm, I feel the weight of it. I admire its
many facets and its secretive translucence that pretends to show all but
refracts into abstraction. Listen, it is a beautiful object. I hop down and
carry it into the next room to show my kids, who are lolling on majestic beds.
“Look,” I say, holding it
out for inspection. It is intrinsically beautiful in its solitary state, smooth
and rounded, and they admire it, passing it between them. I wonder aloud if it
would be possible to pluck just one from every fixture in the suite and make a chandelier
for our new house. My sons are delighted.
I try to limit the number of
criminal acts I enact before my children. And really, with the exception of the
one or two enacted with a vengeful mind, I believe I had God on my side in the
commission of each and every one. Perhaps this is not altogether accurate, but
it is the story I tell myself, and here is the story I will tell you:
It was a Thursday afternoon
in early autumn and branches started crashing outside. There was a crane
operator, swinging loads of drywall into the adjacent building, lopping off
tree branches. The trees that hung like naiads over Charles Street, that we
treasured—our green neighbors. Calls to the company number on the side of the
crane reached a machine, as did a call to NYU construction (the crane was
working on their job). I even ran to the precinct two blocks away to ask for
help. All to no avail and, desperate, I turned to self-help.
My throwing arm is lacking,
so I enlisted my agile boys, five and seven. They stood at the top of our stoop,
pumped with delight, and pitched old tomatoes and fruit at the windshield of
the crane. A soft pear spattered on the windshield, juice dripping down, and
they whooped and hooted victory. I was standing at the top of my stoop. The
driver was sitting in the cab of the crane; I could see him pretty clearly.
We’d already had some pretty harsh words, my manner eroded by his complete
disinterest in the damage he was doing. Now he looked interested. A half-rotten
banana hit the windshield. He put the crane in park. I kind of thought I had
the measure of the guy, an angry man with a big machine. Yet I have to say I
was surprised when he opened the door of the crane, hopped down, and started
walking fast toward our house.
“Go!” I pushed the boys
behind me. They streaked upstairs, yelling, “World war three!” as the driver
charged toward me. I stood my ground, albeit briefly.
“You’re trespassing,” I
shouted. And as he paused, weighing his options, I slammed the door shut.
There have been other
incidents, I won’t deny it. One doesn’t want to model behavior that is too
compliant with society’s requirements. It behooves you to leave a little dirt
in the vegetables so your kids develop immunities. But this is not the time for
a confession of my crimes; it is only to say that my children have borne
witness to my bad acts—indeed, they have even been my accomplices.
Now they are twenty and
twenty-two. My younger son stands on the bed; stretching up on toes, he
balances and deftly removes a crystal from the light fixture. He sits down on
the bed cross-legged, weighing it in his hand, absorbed. I know how good it
feels, dense and glittering as a promise.
But is it right to really
take it? All right, steal it. Them. By now there are three of them glittering
quietly. There is, we reflect, the possibility that the hotel expects to replace
them; it’s just built into the room price. There might be a vault clogged with crystals
waiting their turn to hang in splendor. We consider the possibility that the
suite was designed with the expectation of heavy drinking and orgies, so some
damage is to be expected. We sit together and ponder. What would Aquinas say?
But, in the end, it looks a lot like thieving, and with regret we pull over
chairs and hang them back. I do know the difference between right and wrong
sometimes, though it is obscured by experience. And there is something about
Las Vegas that invites the illegal. And it’s not just the hookers who solicit
both my sons, though one of them looks like he’s barely out of high school.
Criminality
must run in the family, I reflect later. Or at least a deep conviction that the
rules don’t apply. We are in my brother’s club having
Thanksgiving dinner. He lives in a gated community in Henderson. They take
their security and their landscaping seriously. And there is a clubhouse, more
for convenience than conviviality. Membership is obligatory, as is a monthly
minimum charged. So, begrudgingly, my brother eats there. In fact, he reports
to us he has recently escaped the children’s section, to which he was relegated
after putting a plastic worm into a salad and then pointing it out to the
horrified server.
Today they have given us a
large, round table. Around us the room is thronged with families of some stripe
or another. The ladies have all had their hair colored, blown out, and
shellacked with hairspray; the men wear blue blazers with gold buttons. We are
all on seconds. My brother’s shaggy toupee is a little askew; it looks like a
convivial, napping animal. My cousin has slowed down a little, but he’s talking
to my older son about puts and calls or some such. He is a money guy, a
millionaire and a miser. Two adolescent girls, leggy and sweet-faced, scoot
around our table on the way to the buffet. They are wearing skirts so short you
fear for them when they bend over, heaping sweet potatoes onto their plates. The
view is one of the other glories of Thanksgiving, I suppose, along with roast
beef dripping with blood and fat, trays of iced shrimp and oysters, and the inevitable
turkey.
“Shrimp!” my brother
declares. They are definitely the most expensive of the foods offered on a per-ounce
basis, and that is a calculation he has done.
“You guys are wimps,” he
suggests to my boys; they have faltered after second servings. He’s already on
his feet, empty plate in hand. He hands it to a passing server and heads for
the buffet unhindered. He’s a big guy, my brother; bulky, not fat. Thick. He
kind of lumbers but that’s more an attitude than a physical necessity. I sit
and ruminate, watching my kids joking, and contemplate another run at the salad.
Maybe a few more hearts of palm. My brother returns, the new plate piled with
oysters and shrimp.
“Do you like oysters?” I ask,
surprised.
“Not particularly. Did you
bring plastic bags?”
“No.”
“Could have fit a lot.” He
gestures at the purse slung over my chair.
“What d’you do with them? Feed
them to the cats?”
“Eat them eventually.”
“I can take cookies,” I
counter. “I can wrap them in napkins.” And then I get a sudden memory of my
mother slipping dinner rolls into her purse wrapped in a cloth napkin. Now that
was theft. No one ever ate them that I remember, but they were always there,
just in case.
What is it to steal, what is
it to earn? Have we earned, in any way, the bounty that we possess in this
moment of our fleeting lives? Of my fleeting life, this momentary bounty. This
is how the meal began:
Jed, my youngest, took his
brother’s hand and my brother’s hand—I could see his hesitation, but he let Jed
take his paw in his smaller hand. And then he said, “Let’s all say what we are
thankful for.” It’s his tradition, not mine, but I wait my turn, listening.
There is such a truthfulness and sweetness to what they say, these children of
mine. I listen and then I say it—well, most of it, what I am grateful for: my
children, my freedom, my health, and great good luck. My brother listens; he
doesn’t speak but he holds Jed’s hand and mine. It’s then I realize that I am
not a thief after all. I may feel unworthy or undeserving, but there is no way
to steal the happiness I feel. It is simply a gift.
Susan Eve Haar is a lawyer and playwright living
in New York City. A member of The Actor’s Studio, Ensemble Studio Theater and
H.B. Playwright’s Unit, she explores, among other topics, the intersection of
our neural and lived experience. Her work has been produced at a variety of
venues including Primary Stages, The Women’s Project, 13th Street Rep, HERE,
Chester Theater, Manhattan Rep and The Looking Glass Theater and published by
Broadway Publishing and Smith and Krauss.
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